Artist statement: The Inner Artist 3

On a deep level, creating wealth for example, is adding value. A state of not being divided internally, will automatically attract a state of prosperity, you could call this a state of oneness.

From time to time it’s important to identify the state you are in and how much of you is in conflict with yourself and how much of you is in a state of completeness within yourself.

How is your health?
How is your state of prosperity?
How are your relationships?
Which part of your consciousness are you aligned to – the higher or the lower?

Artist statement: The Inner Artist 1.

I believe we have tremendous growth occurring through our activities in the studio as artists. It’s not the intention in this last chapter to go into these particular transformative possibilities, as each of us has experiences in our studios, which form our own individual transformation as artists and form our own transformation with the work. This can happen in the way of making spectacular jumps in perception, simply through being alert to the accident occurring in your work.

Art Review on John Dahlsen’s work in New York

Dahlsen, by comparison, is an optimist. To begin with, he’s already made a positive statement by clearing off the unsightly stuff that is lethal to fish and fowl. (Australia’s wildlife conservancies adore Dahlsen’s work, which was hardly his intention, but so be it.)
He wanted to impart a kind of Minimalist stability to his jumbles of deep true colours. One early assemblage of coffee lids, cooler fragments and bottle tops shared the ethereal white-on-white aura of a Robert Ryman abstraction or a William Bailey still life—only much more energetically. Piling up black combs, disposable razors and pieces of rope yielded a Louise Nevelson-like sculpture with attitude.

A Sample Artists Letter to a Foundation.

Immediately I received the sponsorship to the value of $10,000.00. I am amazed how quickly businesses respond to sponsorship requests, when they can see a tangible return. This may give some ideas to those artists who had difficulty raising the money to participate.
Upon arriving at the Biennial, I saw that there was a mixture of professionalism and enthusiasm during the set up days and there was a fair amount of complaining by some artists, who became largely preoccupied with their complaints for the entire length of the Biennial.

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