Interviews about John Dahlsen’s Environmental Artwork 11b

I’m constantly surprised to see the variations in these plastics, very much like how I am intrigued by the beach found objects I have collected over the years.

I imagine these plastic bags, which mostly have a lifespan of many years, are in fact on the verge of extinction, as it is only a matter of time before governments impose such strict deterrents to people using them that they become a thing of the past. A fitting end to what has become such a scourge to our environment on a worldwide scale.

Interviews about John Dahlsen’s Environmental Artwork 5

My challenge as an artist is to take these found objects, which might on first meeting have no apparent dialogue and to work with them until they speak and tell their story.”??

This work was made from found driftwood objects collected from Australian beaches. ??From the artist statement; “My creative medium changed to found art as a result of one such ‘accident’ in 1997. I was collecting driftwood, on a remote Victorian Coastline, with the intention of making furniture and stumbled upon vast amounts of plastic ocean debris. A whole new palette of colour and shape revealing itself to me immediately affected me.

Interviews about John Dahlsen’s Environmental Artwork 1

Found Object Art:??Using other objects that are found and recycled, John creates commissioned pieces for cities, parks and businesses. The objects differ depending upon what John finds and could range from recycled surfboards to concrete and metal. Below are examples of those commissioned pieces.??The first, entitled ‘The Guardian’ is made from scraps of steel guardrails and concrete pipe. The second, entitled ‘Convention Centre Jewell Sculpture’ is created from found objects such as fibre optics and stainless steel.

Art Marketing with Postcards

If you’re organising your own show (in an alternative space, rental gallery, student gallery, etc.), then you’ll probably be on your own to design and print your postcards. They are great for advertising shows, but also to put into your promotional material that you send to galleries. To create an effective postcard, start with a great photograph of your work.

Help with the artist statement and biography.

It is best to craft a statement and bio that are fairly unique to one another to start with, however, your bio statement should be written in third person and a statement written in first person.

I personally have a number of artists statements. These range from different times in my career, from different stylistic periods in my career and are of various lengths. An example of this is with my current artist statement. I have three different versions of this statement, depending upon where I am showing it or presenting it.

Marketing the arts and the components of an artist’s successful CV and promotional material.

A Curriculum Vitae (CV) is your opportunity to market your arts successfully and list all of the shows in which your work has appeared, as well as to reference private collectors and museums that have purchased your work. A resume and a CV are often very similar, but a resume tends to be one or two pages, while a CV is comprehensive.

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