FAQ
Interviews about John Dahlsen’s Environmental Artwork 12a
During the latter part of 2005 and into 2006, I created a new body of environmental artwork, a series of Synthetic Polymer paintings on Belgian linen, based on the subject matter of plastic “purges” – plastic fabricator machine end waste. ??This work, considers cycles and recycling. I began re-presenting paintings of sculptures that are inherently plastic fabricator machine end waste. The use of plastic materials and their place in the evolutionary motions of recycling are important to me in constructing these images.
I see the real need for the massive social transformations that are essential, to adequately deal with such crises as the depletion of fossil fuels and climate change. I hope this work can be a timely reminder to us all of the limited supply of these petroleum based materials, which is a direct result of our current collective global mass consumerism.
Interviews about John Dahlsen’s Environmental Artwork 11c
By presenting this art, to the public it will hopefully have people thinking about the deeper meaning of the work, in particular the environmental issues we currently face. I hope these works will act as a constant reminder to people about awareness.
I would like them to find enjoyment the work on many levels and find themselves becoming identified in various ways with each of the artworks they see. I also look forward to the possible discussion that these works may generate as a result.
I say these things as being possibilities, bearing in mind as well that comments are regularly made to me about people’s consciousness, while walking the beach, being awakened after seeing my found plastic object artworks, similarly with seeing my recycled plastic bag series, people have marveled at the creative way I am presenting the recycling theme in an aesthetic way.
Environmental art interview 9
You said as a child it was quite natural for you to go to the tip and to assemble something new from discarded objects. Do you think society, as a whole is less likely to do that now? Rather than repair and reuse things, we’re more inclined to just buy a new one?
Since the 50’s there’s been a new phenomenon. We’ve never been faced with this before. Things are instant.
Environmental art interview 8
Do you think there’s something inherently political about using recycled materials?
I think naturally there are some inherent messages in using these sorts of materials. It depends how you do it. I’ve been very cautious about using materials in a way that for me, is honest. My intention is to make something beautiful out of these objects.
Environmental art interview 7
Do you identify yourself as an environmental artist?
I’ve used the term environmental art. I’ve been coined an environmental artist. I want people to understand that the work has strong environmental themes in case they miss that. It’s not likely that they will, but just in case they have certain ignorance about the materials – just to make sure it brings to their attention the environmental issues. I don’t have a problem with the term ‘environmental artist’ or the notion of being part of an environmental movement.
Environmental art interview 6
Do you believe that raising awareness necessarily leads to an action? Can you see the impact of your work creating a shift in consciousness?
Absolutely. I receive telephone calls and emails from people week in week out.
I’m constantly receiving enquiries from people – particularly in the United States and also in Europe. These are people using the information I provide on my website for their studies, writing about my work in their theses, newspapers or magazines and the general questioning is along the lines of what you’re asking here.
Environmental art interview 4
Is there any environmental issue in particular that concerns you?
I think I have a very generalised view of what’s going on with the environment at the moment and I guess that has political ramifications as well. I, like most of the people on the planet – unless they’re particularly blind, just see that the planet is in acute ecological crisis at the moment and we as a human race could be going either way with this. It may be just way too late to save this fragile ecology we’ve got.
Environmental art interview 2
Did you set out to make environmental art or art that would have a political message?
No I never did. When I moved into this new home and decided to make driftwood furniture, the sole intention was just to make something beautiful for the home I’d just moved into. I went to remote places along the Victorian coast where it was just four-wheel driving and venturing out to islands on boats, where huge logs of driftwood were being washed ashore and parched by the sun and the salt and knocked about on the rocks.
Environmental art interview 1
Can you tell me something of your artistic back ground?
I went to the Victorian College of the Arts in Melbourne. I began in 1977 and I was there for three years. During that time I was fortunate enough to have a number of key figures in the Australian art world lecturing there and it was a very free environment. You were just allotted your own studio space and you were pretty much left to our own devices during that whole time, with ongoing really excellent feedback coming from the various lecturers, (in between their games of chess).
Environmental Art.
I have often been asked why are there so many different approaches to environmental art. I can only really go to into depth about my own specific approach to environmental art and why it is called that and mention a few other artists who I am aware of that have also had the environment feature strongly in their work.
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