Kimberly Brooks on John Dahlsen c – Huffington Post

KB: Your works are more complex than some other so-called environmental art. While it certainly has an underlying message of conservation, it also overpowers its viewers in scale. Your totems stand taller than the viewers and complicate the way we, as consumers, both glorify physical goods and then take them for granted by deeming them garbage.

JD: I see that by making this art, it is a way of sharing my messages for the need to care for our environment with a broad audience. I feel that even if just a fraction of the viewing audience were to experience a shift in their awareness and consciousness about the environment and art, through being exposed to this artwork then it would be worth it.

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This stems from the fact that I believe presently humanity is at a critical point in time, with our planet currently existing in a fragile ecological state, with global warming hastening unheard of changes, all amplifying the fact that we need all the help we can get.

This is my way of making a difference, and at the same time I’m sharing a positive message about beauty that can be gained from the aesthetic experience of appreciating art, as well as giving examples of how we can recycle and reuse in creative ways.

These artworks exemplify my commitment as an artist to express contemporary social and environmental concerns.

By presenting this art, to the public it will hopefully have people thinking about the deeper meaning of the work, in particular the environmental issues we currently face. I hope these works will act as a constant reminder to people about awareness.

I would like them to find enjoyment the work on many levels and find themselves becoming identified in various ways with each of the artworks they see. I also look forward to the possible discussion that these works may generate as a result.

I say these things as being possibilities, bearing in mind as well that comments are regularly made to me about people’s consciousness, while walking the beach, being awakened after seeing my found plastic object artworks, similarly with seeing my recycled plastic bag series, people have marveled at the creative way I am presenting the recycling theme in an aesthetic way.

With this in mind, I leave the final alchemy of the work to the viewer with the possibility they may experience deep perceptual shifts and have a positive aesthetic experience as they interact with my art.

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